more about me

I am a theatre maker primarily interested in connecting directly to my audience's lived experience. I am focused on bringing the story of the invisible middle-aged woman into the limelight. My first exploration of women and domesticity was during my BA - exploring the home as a potential site of transformation and my dissertation (2011) which looked at the work of Bobby Baker (most strikingly The Kitchen Show) and Adrian Howells (particularly An Audience with Adrienne). My character Lotta Quizeen was devised during my year long Masters at Brighton University (2011-2) searching for a way of exploring woman's domestic role while paying heed to the challenges of modern life, the technological revolution and the dilemmas of neo-feminism and capitalism. As writer, director and performer of Lotta's initial work Domestic Bits (2012) and Shelf Life (2013) I have tried to layer my work - using the concept of a 'mock mock autobiography' creating a representation of of a fantasy self (Lotta) within an already constructed autobiographical frame (myself 'playing the role' of representational wife). Through this I seek to delve into the history of feminism and explore our present day shared anxieties and concepts of failure through the private/public paradoxical world that we all have to inhabit. I seek to put pressure on the theatrical 'fourth wall' forcing my audience to question the 'reality' of my character, drawing my audience in to the liminal space between performance and reality.

Phoenix Players, Kenya
1983-1984

Under the direction of James Falkland, my professional debut was on the Kenya stage in Peter Shaffer's 'Black Comedy'. I went on to perform and ASM numerous productions over a period of 9 months. Phoenix was established in 1983, and was a prominent repertory theatre in East Africa, historically known for staging a new, high-quality play approximately every three weeks. It provided a platform for local and international talent, producing a mix of comedies, dramas, and annual musicals. 

Brussels/Bangkok
1993-2003

A key member of the ECC in Brussels.

Kampala, Uganda
2003-2006

Kampala Amateur Dramatic Society, which performed approximately 3 times a year at the National Theatre of Uganda, I directed and acted in a number of productions. Miss Brodie, 

Nairobi, Kenya
2005-2008

Founder/Director/Producer of Bridge Theatre, Nairobi. Secured funding and a permanent home for innovative theatre in a recently established modern art museum. Expanded reach and audience of a range of Kenyan creative artists. Organised, funded and provided workshop training to artists. Collaborated with Pamoja Dance Group in experimental piece of urban poetry/dance. Directed John Sibi-Okumu, Lorna Irungu, Makbul Mohamed  and Andrew Williams in “Breakfast with Mugabe” on the eve of the 2008 Zimbabwe elections.

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