actor
theatre maker
performer

about me

In 1983 I apprenticed as ASM/Actress at the Phoenix Players Rep in Nairobi, Kenya.  I trained as a stage manager at the Central School of Speech and Drama in 1987 and spent 2 years working in film/video production in London. A return to Kenya and life got exciting, messy and busy. I'm a mum and a wife; I've done theatre in the UK, Belgium, Thailand, Uganda and Kenya; played pantomime baddies dressed as a rat, directed serious plays and farces and produced and created spaces and events for a variety of different performances.

“Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it.” AUGUSTO BOAL
 

A little bit more...

I am a theatre maker/performer primarily interested in connecting directly to my audience's lived experience. I am focused on bringing the story of the invisible middle-aged woman into the limelight. My first exploration of women and domesticity was during my BA - exploring the home as a potential site of transformation and my dissertation (2011) which looked at the work of Bobby Baker (most strikingly The Kitchen Show) and Adrian Howells (particularly An Audience with Adrienne). My character Lotta Quizeen was devised during my year long Masters at Brighton University (2011-2) searching for a way of exploring woman's domestic role while paying heed to the challenges of modern life, the technological revolution and the dilemmas of neo-feminism and capitalism. As writer, director and performer of Lotta's initial work Domestic Bits (2012) and Shelf Life (2013) I have tried to layer my work - using the concept of a 'mock mock autobiography' creating a representation of of a fantasy self (Lotta) within an already constructed autobiographical frame (myself 'playing the role' of representational wife). Through this I seek to delve into the history of feminism and explore our present day shared anxieties and concepts of failure through the private/public paradoxical world that we all have to inhabit. I seek to put pressure on the theatrical 'fourth wall' forcing my audience to question the 'reality' of my character, drawing my audience in to the liminal space between performance and reality.

current project

Sewing My Mum Back Together (WT)

Katie’s mum is 89. She can’t remember things. She can’t breathe and takes a lot of pills every day. It’s hard to be the perfect daughter when you’re old yourself. And you’re a mum to your own daughter which you enjoy much more than being a daughter to your mum. Using Virginia Woolf’s autobiographical novel To the Lighthouse as inspiration, Katie looks at how she can move forward despite so much around her seeming to be in reverse. Is there hope for our overmedicated world and when might we just be allowed to slip away gently? A dramaturg joins Katie onstage in this stream of consciousness which takes the audience on an immersive journey through Katie’s life into the heart of Virginia Woolf’s To the Lighthouse.

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